‘A 19th-century musical dictionary observed that if God ever listened to music for pleasure, the composer he’d pick would be Boccherini. Isserlis and the Orchestra of the Age of Enlightenment’s album doesn’t make the choice seem impossible. The music flows with a natural ease and a lively disposition, and often exploits the cello’s top register, requiring extra dexterity. No problem for Isserlis’ (The Times)

‘Listening to these performances, it’s obvious why Lim stunned audiences at the 2022 Van Cliburn piano competition, when he took the top prize, aged 18’ (The Times)

‘Music intricately composed and moments of the most tender beauty, delivered by seven male singers with an unflagging ensemble spirit’ (The Times)

‘Momen interprets this wonderful music with a natural ease never compromised by her myriad subtleties of dynamics, touch and tone’ (The Times)

‘Marc‑André Hamelin provides fresh insights into this work, a cohesive vision with a decidedly refined sensibility and evidence of decades of practice and reflection. This is a worthy addition to any collector’s library’ (ConcertoNet, Canada)

‘Isserlis plays ravishingly throughout this recital. His tone is as luminous at the bottom as it is up top (and Boccherini spends a lot of time in the stratosphere). Although he’s partnered in the concertos by members of the OAE, Isserlis is no slave to scholarship: there’s plenty of vibrato in the solo line, and the result is wonderfully engaging … if you already love Boccherini, you’ll be more convinced than ever that he’s a master. If you’re a sceptic: well, prepare to be seduced’ (Gramophone)

‘A finely crafted work from a composer who has an unforced, explorative post-romantic sensibility. Ngwenyama is herself an award-winning violist, and her feel for the medium and its instrumental interplay is clear from the opening 'Prelude: Tear in space/time’ … the Takács respond in turn with gentle vigour. Their performance is supplely committed, and laudably allows the music to breathe’ (BBC Music Magazine)

‘Whether solo, joined by HIP stalwarts such as violinist Rachel Podger or accompanied by the always marvellous Orchestra of the Eighteenth Century (which Brüggen co-founded), Horsch is as sensitive to each instrument’s idiosyncrasies as she is to the demands of the music, her effortless virtuosity and stylish phrasing, articulation and ornamentation a veritable Recorder Fancyer’s Delight’ (Gramophone)

‘Another enjoyable curiosity: a programme of works for two pianos—with four or eight hands—performed by the MultiPiano Ensemble with the Berlin Radio SO conducted by Ivor Bolton … [the ‘Wanderer’ Fantasy] is tremendous fun, and the performance is winning … what could in less sensitive hands be quite a racket [the Schubert/Pauer marches] is a delightful way to end an enterprising project—these are all first recordings of these versions’ (International Piano)

„Steven Isserlis macht vom ersten Moment an klar, dass es ihm vor allem auf eine gesangliche Darstellung ankommt. Dabei entstehen einige äußerst poetische Momente … Das Orchestra of the Age of Enlightenment unterstützt den Ansatz des Solisten in allen Belangen. Es spielt sehr fein und agil und zeigt, dass Boccherinis Kunst des Gefälligen viele unterschiedliche Schattierungen kennt … Die neue Aufnahme zeigt Luigi Boccherini als einen in den unterschiedlichen Besetzungen sehr wandlungsfähigen Komponisten. Das macht dieses Album erfreulich kurzweilig, zumal sich Steven Isserlis als ein ebenso kundiger wie kultivierter Führer durch diese Klangwelten erweist“ (NDR Kultur, Germany)

‘Fascinating for anyone interested in Brüggen’s legacy, all these fragile instruments from the 1680s to the 1740s, but it’s a box of treasures musically and the playing of the musicians—from violinist Rachel Podger to Brüggen’s own Orchestra of the Eighteenth Century—is always a delight. It’s a great tribute’ (BBC Record Review)

'Det var efter alt at dømme 1800-tallets store klavervirtuos, Liszt, der gav den første offentlige opførelse af ’Hammerklaversonaten’. Hvordan det lød, kan vi kun gætte på. Men intet er vanskeligt for canadieren Hamelin, og under den nutidige mesterpianists fingre bliver Beethoven til flydende, perlende lethed. Det er en moderne luksusklangverden, Hamelin åbner' (Klassisk, Denmark)